Kate Freeman Clark

Kate Freeman Clark (September 3, 1875 – March 3, 1957) was an American painter born in Holly Springs, Mississippi.

Clark was the daughter of Edward Clark, an attorney in Vicksburg, Mississippi, and Cary Freeman Clark, whose great-uncle was Edward Cary Walthall. An on your own child, she was named for her grandmother, and was called "Little Kate" to distinguish her from "Mama Kate". Soon after her birth her father purchased a plantation which would innovative become the centerpiece of the town of Cary, named for his wife. Kate and her mom summered in Holly Springs, where the ventilate was considered cleaner than along the Mississippi Delta, and Edward would write his daughter long letters during these absences.

Edward Clark died of pneumonia in 1885, soon after creature named accomplice to L. Q. C. Lamar, Edward Walthall's former law assistant who had been named Grover Cleveland's Secretary of the Interior. At his death Kate and her mommy moved to Freeman Place in Holly Springs, which had been the Walthall intimates residence. The relatives soon moved to New York City, where Kate attended finishing educational at the Gardiner School, from which she graduated in 1891. In 1893 the two went to the World's Columbian Exposition in Chicago, which fired in the young girl a passion for art. Upon returning to New York City, she enrolled in the Art Students League in 1894; there she studied drawing like John Henry Twachtman and watercolor following Irving Ramsay Wiles.

It was Wiles who introduced her to William Merritt Chase, who would tutor her still-life and plein let breathe painting and would support as her mentor until his death in 1916. The clean watercolor medium was often used by women at the era, but on witnessing Chase paint in oil even though outfitted in a white flannel suit, Clark took stirring his favored medium. Chase recognized her bill highly, choosing two of her paintings for his personal collection. Clark and her mom summered on eastern Long Island during the late 1890s; Cary as well as traveled to Washington, D.C. for the social season there in 1896, in which year Kate attended classes at the Corcoran School of Art. She after that attended the New York School of Art and the Shinnecock School of Art; she would remain in New York for the winters even if traveling to resort areas in Vermont and Connecticut in summers.

Clark took to signing her works with "Freeman Clark" or "K. Freeman Clark" so that her gender was not shortly apparent. She began exhibiting, showing her deed at the National Academy of Design in 1905. Further exhibitions followed, at the Carnegie Institute in Pittsburgh, the Corcoran Gallery of Art in Washington, D.C., the Pennsylvania Academy of the Fine Arts in Philadelphia, and at the National Academy and Society of American Artists in New York. She was the subject of a number of one-woman shows, and spoke to the Macbeth Gallery to discuss selling her paintings through them.

Clark had returned to Mississippi sporadically higher than her career to refer family obligations, but she spent the bulk of her artistic computer graphics in New York; only two paintings upon Mississippi subjects are known to exist. However, in 1924, after exceeding 20 years in New York Clark returned to Mississippi and her southern roots, leaving the art world at the rear forever. Her reasons are unknown, but it has been speculated that the death of her mentor Chase in 1916, followed by that of her grandmother in 1919 and her mother in 1922, was a blow from which she never recovered. Chase's death especially seems to have hit her hard; she was distressed that she could not attend the auction of his studio effects in grow old to buy some memento of him, most especially an old, black kettle which he had painted numerous period and which was sold for seven dollars to somebody else. Clark along with appears to have foreseen the rise in modernism which followed the Armory Show. Her relations is known to have been adjacent to her career, and warned her adjacent to operating, as her uncle Russell Freeman wrote her, "in spheres of activity which associate men". Her temperament has been described as "depressive", which may have contributed to her cancellation from the art world.

Clark never married; her one frightful suitor, Hamilton Foley, was a West Point cadet who went to the Philippines during the Spanish–American War and was court-martialed for embezzlement in 1905. She rarely spoke of her artwork upon her reward to Holly Springs. At her death, however, she bequeathed several hundred paintings and drawings, which had been held in storage in the Lincoln Warehouse in New York, to the town, along in the same way as her home and later than money to build a museum to house the art. These works provided the backbone for the Kate Freeman Clark Museum in Holly Springs. The museum, which apart from a handful of pieces by Chase contains forlorn her work, is located adjacent to her former home, and with exceeding 1,000 of her paintings is believed to be the largest amassing of paintings by a single artiste anywhere in the world. She had envisioned library make public and a room for the display of fashions in the museum as well, but these could not be included in the answer design due to a lack of funds.

Clark is buried at Hillcrest Cemetery in Holly Springs.

Clark's paintings can be found in:

Go up

We use cookies More info