Sarah Cole (1805-1857) was an American landscape painter and the sister of prominent American landscape painter Thomas Cole. Many of Cole's paintings are thesame in subject and visuals to her brother's. Though she was one of the primeval female landscape painters working in the United States, little is known of her life, and definitely few of her works have survived or can be located today.
Though Cole spent most of her sparkle in America, she was born in Lancashire, England. Her parents, James and Mary Cole, had six other kids aside from her and Thomas, all daughters. Thomas was the seventh of the eight children, and Sarah was the youngest. In 1818, her parents immigrated to the United States next four of their children, the sisters Ann, Mary, and Sarah, their brother Thomas, and an aunt. The family arrived in Philadelphia in July, and moved to Steubenville, Ohio, in September of the thesame year, except for Thomas, who remained in Philadelphia for a year past joining the associates in Steubenville. In Steubenville, Ann and Mary opened a seminary where Sarah may have in addition to eventually taught.
In 1824, the intimates moved to Pittsburgh. The adjacent year, they moved to New York City, where Sarah likely lived for the flaming of her life, often visiting Catskill where she would colleague Thomas upon hikes in the Catskill Mountains. Sarah also occasionally visited intimates and links in Baltimore.
It is not known as soon as Sarah Cole began to make art, though she first mentions that she is painting in letters to her brother in the mid 1830s. She exhibited her paintings publicly only after the death of Thomas in February 1848, most likely to help sustain herself financially. The National Academy of Design in New York City displayed her exploit from 1848 to 1852, and her works furthermore appeared in the American Art-Union and the Maryland Historical Society during her lifetime. Titles of these canvases indicate original, rather than copied, subjects. The majority of her exhibited paintings are now lost.
Two of Sarah Cole's paintings that can be found today are upon display in the Albany Institute of History and Art in Albany, New York. The paintings are A View of the Catskill Mountain House, a scene of the titular white house on a hill covered with fall foliage and a little seated figure upon the ring looking going on at it, and Mount Aetna, a view of the mountain in the background considering a landscape and people praying to a shrine of an icon. A note upon the back of the canvas of the Catskill Mountain House painting indicates that it was copied from a painting by Thomas Cole. A View of the Catskill Mountain House is approximately identical to her brother's painting of the thesame subject. Mount Aetna is not a dispatch copy but it is likewise same to her brother's style.
Another painting by Sarah Cole, Ancient Column Near Syracuse (1848), depicts a landscape as soon as a Neoclassical theme. It pictures a person taking into account some animals on a green arena in stomach of ancient ruins. The Thomas Cole National Historic Site in the Catskills furthermore houses her paintings Duffield Church, English Landscape, and Landscape taking into consideration Church.
In complement to visceral a painter, Sarah made etchings. She was trained in etching by the painter and engraver Asher B. Durand. None of her etchings survive today but in 1888, decades after her death, New York's Union League Club held an exhibition called “Women Etchers of America” that included some of her work. All of the supplementary exhibitors in that comport yourself were active artists.
Sarah Cole died in 1857, spending her perfect days in Catskill, New York.