Anna Woodward

Anna Woodward (1868–1935) was an American painter who was born in Pittsburgh, Pennsylvania in 1868. She studied painting at the Académie Julian in Paris in the look of Tony Robert-Fleury, Jules Joseph Lefebvre, and William-Adolphe Bouguereau, and also following George Hitchcock in Holland. By 1918, she moved to Hawaii from Paris in the vent of a studio near Waikiki. She was influenced by the impressionist movement, creating landscape portraits. During the 1920s and 1930s she produced illustrations and paintings for Paradise of the Pacific. Woodward died in Honolulu in 1935.

The University of Iowa Museum of Art is in the middle of the public collections that hold works by Anna Woodward.

Anna Woodward was born in Pittsburgh, Pennsylvania, on January 26, 1868. She was born to Anna M. W. Steiner and Marcus A. Woodward; a rich and renowned lawyer in Pittsburgh. She spent her childhood in Pennsylvania, earning a bachelor's degree. Soon after, Woodward went to Paris in imitation of the accompaniment of her mommy and enrolled at the Académie Julian, with a focus in oil painting. She studied painting under the instruction of Jules-Joseph LeFebvre, Tony Robert-Fleury, and William Bourguereau. During the summer, she attended a little private theoretical led by George Hitchcock, a former student of Jules-Joseph LeFebvre and Gustave Boulanger. Woodward, along afterward many other influenced students, joined George Hitchcock during the summers in Holland at the Edmongse School (1890-1915), a private studio spearheaded by Hitchcock at his habitat in Egmond aan den Hoef.

While thriving and creating perform in Paris, she presented works in the many exhibitions, salons, and gallery showings. She was fashionable into the 1898 Paris Salon where she exhibited two works, Le sabot casse created in France and Recolte des pommes de terre, created in Holland. In 1903, she entered the Reims Exposition Internationale where she acknowledged a silver medal.

While studying abroad, Woodward made a say for herself within the American colony in Paris, a organization of Americans studying fine arts in the heart of Paris. She became a part of the Union des Femmes Peintres et Sculpteurs. This group, established by Helene Bertaux (1825-1909), created a means for which female artists could Make an standard presence within the art world. Woodward was furthermore a allowance of the Pittsburgh Art Association throughout her upfront life and the Hawaiian Academy of the Arts during her forward-thinking career, a place where she exhibited pieces on numerous occasions.

Woodward lived in Paris throughout the first world war. After pain from malnutrition, she was diagnosed later a heart impairment and was advised to travel to a warmer climate. She after that traveled to Africa and Hawaii, where she took up house in 1918 in the neighborhood of Waikiki. She became a well-known voice in the rich and artistic communities of Hawaii, commissioning many works for local patrons.

Her works have been exhibited in many galleries throughout the United States and France, including the Carnegie Institute in Pittsburgh, Pennsylvania. She exhibited for two exhibition seasons at the Institute in 1909, in amongst her back-and-forth travels to Paris. She was plus exhibited throughout local galleries in Hawaii and the Honolulu Academy of Arts for her depictions of the Hawaiian Islands. Her works, A Honolulu Garden, Manoa Valley, and The Dunes are in the course of her more renowned pieces that are representative of the Hawaiian landscape.

In prematurely 1935, The State University of Iowa exhibited Woodward's fragment entitled, The Dunes, in an exhibit law casing a small collection of masters from the Davenport Municipal Art Gallery. Woodward's fragment was among many well-known artists, including Harry Van der Weyden and Richard E. Miller, both of whom moreover studied at the Académie Julian. The con is currently housed at the University of Iowa Museum of Art.

Woodward plus wrote columns and articles for local magazines and newspapers in Hawaii. She wrote player works columns, critiqued local exhibitions, and commented upon the Hawaiian Islands as a harbinger of artistic inspiration. Her artwork was plus used for the magazine, “Paradise in the Pacific” throughout the 1920s and 1930s. She is best known for her writings around her get older within the art community in both Paris and in Holland, entitled, “Art Life in France and Holland.”

Woodward died at Queen's Hospital in Honolulu, Hawaii, on July 12, 1935, at the age of 67. Her remains were taken put up to to her place of birth and were placed at the Homewood Cemetery in Pittsburgh. Her works are nevertheless circulating amongst galleries, museums, and swine sold at auction.