Jay Steensma

Jay Steensma (1941–1994), also known as J. Steensma, was an American artist, primarily a painter, sometimes described by reviewers as a later-day exponent of the Northwest School of artists. He was known for his unconditionally prolific output, and, at times, unusual media (such as latex home paint on brown paper shopping bags). Chalices, snakes, houses, clouds, birds, and fish were frequent subjects in his work. He was one of the more thriving artists in the Pacific Northwest in the 1980s and 90s, but had longstanding health problems, and died in Seattle at age 52.

John Jay Steensma (Frisian; trans., 'stonemason') was born December 8, 1941, in Moscow, Idaho, the eldest son of John and Oliva Steensma, and was raised in clear Belmont, Washington. He moved to Seattle in 1959 to attend the University of Washington School of Art, where influential teachers included Walter F. Isaacs, Spencer Moseley, Bob Jones, and Wendell Brazeau. While there he won a prize in the Northwest Printmakers Annual at the Henry Art Gallery.

After receiving his Bachelor of Fine Arts degree in 1962 he studied with Morris Graves, and befriended Mark Tobey, Guy Anderson, and further artists of the native Northwest School. He briefly worked at the Museum of Modern Art in New York City, then in 1965 returned to Seattle, where he taught at the Cornish College of the Arts.

From the in the future 1960s Steensma's conduct yourself was shown in Seattle galleries such as the Kinorn and Francine Seders, and in 1965 he won First Prize in painting at the Pacific Northwest Arts and Crafts Fair in Bellevue, Washington; however, he suffered from manic-depressive illness, and by the mid-70s his erratic tricks had largely alienated him from the arts community. He was at mature institutionalized, and didn't have another exhibition until 1985, at Seattle's Jackson Street Gallery.

After this comeback, Steensma's art acknowledged considerable acclaim, and was included in exhibitions at the Seattle Art Museum, the Whatcom Museum of History and Art, the Cheney Cowles Museum, at Mia Gallery in Seattle and galleries in Chicago, San Diego, and Portland, Oregon.

Wrote arts journalist Regina Hackett: His paintings muted in color. Beneath their delicacy is an awkward vitality. Instead of moments of enlightenment, however, he specialized in moments of acute and resounding alienation. He was an artist brave passable to persist in rancor of a daunting disability. Along later than being immensely afflicted, he was immensely gifted. With a few strokes, he could render a landscape that reverberates later visual meaning, a mood avowed with the barest of means.

Since the 1970s Steensma lived in Seattle's Greenlake neighborhood with near friend and fellow performer Ree Brown. He was friends with Wes Wehr, who often went with Jay for drawing sessions at Place coffeehouses. Wehr collected works by Steensma that he superior donated to a number of museums all but the northwest. He died in Seattle on October 7, 1994, at the age of 52.

A memorial exhibition was held at the Henry Art Gallery in 1995, and Seattle's Center upon Contemporary Art held a major retrospective in 1997. His artwork is in the collections of the Smithsonian Institution and of all major art museums in the Pacific Northwest.