Milton Resnick (January 7, 1917 – March 12, 2004) was an American artist noted for abstract paintings that coupled scale behind density of incident. It was not uncommon for some of the largest paintings to weigh in excess three hundred pounds, almost all of it pigment. He had a long and varied career, lasting roughly sixty-five years. He produced at least eight hundred canvases and eight thousand works upon paper and board.
He then wrote poetry on a nearly daily basis for the last thirty years of his life. He was an inveterate reader, riveting speaker and talented teller of tales, capable of conversing with hypothetical audiences in sessions that might last three hours.
Paintings held in public collections include: New Bride, 1963 Smithsonian American Art Museum, Washington, D.C., Mound, 1961 National Gallery of Art, Washington, D.C., Saturn, 1976 National Gallery of Canada, Ottawa, Ontario, Elephant, 1977 Milton Resnick and Pat Passlof Foundation, New York, Earth, 1976 Museum of Modern Art, NYC, Wedding, 1962 The Metropolitan Museum of Art, New York, Pink Fire, 1971 National Gallery of Australia, Canberra, and Untitled, 1982 Whitney Museum of American Art, New York, along as soon as many pictures of comparable quality in smaller collections — public and private — make for some, an effective exploit for Resnick as an exponent of the sublime.
His surviving estate is held in trust by the Milton Resnick and Pat Passlof Foundation. Beginning in 2017, the centenary of his birth, the Foundation plans to entry his former address and studio, at 87 Eldridge Street in Manhattan as a public exhibition space to showcase his work, that of his wife Pat Passlof, and other Abstract Expressionist painters.