George Sugarman

George Sugarman (11 May 1912 – 25 August 1999) was an American artist full of zip in the mediums of drawing, painting, and sculpture. Often described as controversial and forward-thinking, Sugarman's prolific body of accomplish defies a definitive style. He pioneered the concepts of pedestal-free sculpture and is best known for his large-scale, vividly painted metal sculptures. His innovative edit to art-making lent his function a fresh, experimental door and caused him to continually momentum his creative focus. During his lifetime, he was dedicated to the well-being of teenager emerging artists, particularly those who embraced move on and risk-taking in their work. In his will, Sugarman provided for the commencement of The George Sugarman Foundation, Inc.

A 1934 graduate of the City College of New York, Sugarman served in the United States Navy from 1941 to 1945, assigned to the Pacific theater. He resumed his education in Paris, studying in the same way as Cubist sculptor Ossip Zadkine. He returned to New York City in 1955 at the age of 39 to start his career as an artist.
In 1965, Sugarman participated in the critically acclaimed Concrete Expressionism acquit yourself curated by critic Irving Sandler at New York University, which next featured the produce an effect of sculptors Ronald Bladen and David Weinrib and painters Al Held and Knox Martin.