Thomas P. Barnett

Thomas P. Barnett (February 11, 1870 – September 23, 1929), also known professionally as Tom Barnett and Tom P. Barnett, was an American architect and painter from St. Louis, Missouri. Barnett was nationally official for both his fake in architecture and in painting.

Barnett trained below his father, St. Louis architect George I. Barnett, who was known for designing public landmarks such as the renovation of the Old Courthouse, the Missouri Governor's Mansion, and the structures of the Missouri Botanical Garden. In painting, the younger Barnett trained at the St. Louis School of Fine Arts , with a fair list of awards and exhibitions.

After graduating Saint Louis University in 1886, Tom Barnett joined with his brother and brother-in-law, George Dennis Barnett and John Ignatius Haynes, to form the architectural firm Barnett, Haynes & Barnett. The unchangeable continued the expected motifs of the elder George Barnett. The gather together legacy of two generations of Barnett designs were largely held responsible for Classicism brute the dominant architectural touch in St. Louis.

In 1904, Barnett served on the Commission of Architects for the Louisiana Purchase Exposition (better known as the St. Louis World's Fair) and personally expected the Palace of Liberal Arts for which he earned the fair's Gold Medal for Architecture. The next year, he would win the Bronze Medal for Architecture at the Lewis and Clark Centennial Exposition in Portland, Oregon.

Other projects meant by Barnett included personal ad buildings, residential (including private places), and a significant number of religious structures. Surviving examples put in the Cathedral Basilica of St. Louis, the Adolphus Hotel in Dallas, Texas, and the Saint Clement Catholic Church in Chicago.

Later in life, Barnett turned his attentions primarily to painting. He studied below Paul Cornoyer, and followed the American Impressionism style. Barnett characteristically used broad brush strokes and successful colors. His works typically idealized his subjects, and were emotionally expressive and optimistic.

Barnett's paintings were capably received in his lifetime. His works were exhibited at the Panama-Pacific International Exposition, the first exhibition of the Society of Independent Artists in New York, the Cincinnati Art Museum, the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and like regularity at the Saint Louis Art Museum. Barnett won both local and national awards including the Bronze Medal for Painting at the Lewis and Clark Centennial Exposition in 1905, and the First Ives Landscape Prize from the St. Louis Artist's Guild every year amongst 1914 and 1925.

In 1922, Barnett painted the 12' by 6' mural, Riches of the Mines, in the Missouri State Capitol in Jefferson City. The lunette representing a zinc mine in southwest Missouri was a favorite of art critics who marveled at Barnett's exploit to depict performing and beauty in an otherwise bleak and desolate scene.

Barnett was a believer of the Chicago Art Guild, National Arts Club, St. Louis Artist's Guild, Salmagundi Club, Chicago Galleries Association, Allied Artists of America, and the American Federation of Arts.

Works by Barnett are held in the steadfast collections of the Art Institute of Chicago, the Detroit Institute of Arts, the Saint Louis Art Museum, the art stock of the Missouri State Capitol, the Missouri History Museum, the Museum of Art and Archaeology at the University of Missouri, and the Busch family store housed at Grant's Farm.